Sculptural Art: Expression in Form, Materiality, and Subtle Irony
Each sculpture arises from an ongoing, intense dialogue between the specific properties of the material and a profound emotional expressiveness.
From concrete mortar, the mineral density of ArteStone, ... three-dimensional works grow, combining structural strength, subtle irony, and a fine visual poetry, using the tactile softness of felt or the hardness of metal.
FUTURA - Three-dimensional shape analyses of organ tissue
The FUTURA work group deconstructs the human lip shape and transforms it into an exclusive series of three-dimensional wall sculptures. Far removed from purely representational depictions, this series explores the lip as the central human organ for articulation, communication, and emotional transmission.
In a consistent geometric reduction, organic sensuality and sculptural abstraction merge into a new aesthetic clarity. Through precise processing and the combination of contrasting materials – from concrete mortar and the mineral density of ArteStone leading to the tactile softness of felt and the hardness of metal – intense haptic fields of tension arise. The series documents an essential research phase on the material's plastic limit and functions as a direct visual link to my current spatial concept art.
From idea to form
This plastic research area explores the tension between pop cultural iconography, subtle irony, and mythological recontextualization. Each object functions as an independent sculptural character in space. Three-dimensional, collage-like homages enter into a dialogue with sculptural ciphers that defy social conventions. Classical, mythical, and biblical narratives are spatially re-negotiated through stylized female figures, objects, and experimental metal forms. The body of work documents a fundamental development phase of my current spatially oriented conceptual art.